Musik Fabrik
From Encyclopedia Dramatica
"Wikipedia will never, ever, get EU cultural funding for a project because of me!!!" - an actual quote of Muzak Fagit Paul as the fieryangel at the Wikipedia Review
As recently as April 2008 the Muzak Fagits were self-promoting on the French Wikipedia.
Paul pays to get fucked by French midgets.
Paul is a total pig bottom smotherbox faggot who likes to pretend he's a woman on Wikipedia Review while he leaves holocaust porn looped on his windows mediaplayer.
For the first six months of 2008, Paul created epic lulz when he stalked Wikipedia's Israeli faggot pornographer and serial self-promoter David Shankbone, who when not licking his daddy's asshole, gets off on putting photographs of it on Wikipedia - GO LOOK! As "the fieryangel" on Wikipedia Review, he spread gossip about fellow faggot Shankbone, who like a little bitch pleaded with them to stop. Even though he likes a good rogering and will shove anything up his ass, butthurt Shankboner came completely unhinged at Wikipedia, creating moar dramaz when he was told by double-agent Alison that unless he's Tony Sidaway, he "must never, ever call a bitch a cunt on Wikipedia."[1] as the last time someone called a woman a "lying, manipulative cunt", they were banned. Shankfag vowed to show Paul that the Internets is serious fucking business, just for the lulz.
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[edit] Musik Fabrik: Where Every Homo Who Plays The Skin Flute Gets Published
Paul first found out he was a dramatic faggot in the black hills of North Dakota. You could say he was "The Asshole of America's Asshole". Too ashamed to allow him off the ranch, Paul's parents home-schooled him until they could send him off to the moist Armpit of America: Texass. There he learned to suck off a guy for a nickel until he saved up enough to buy his first saxophone.
[edit] Muzak Fabrik: The Wikipedia Years
Paul, in a typical example of USI, is seen adding himself to his shitty school the Saint Thomas Academy on Wikipootia (and misspelling what he does).
After ArbCom told the Muzak Fagits to plaster their spam somewhere else besides all over the French, Italian, English and German Wikipedias, the two homos left behind their User:Musikfabrik account and ran into the open, loving arms of the concise and intelligent criticism of the Wikipedia Review.
[edit] Muzak Fabrik: The Fieryangel Years
[edit] "Wikipedia will never, ever, get EU cultural funding for a project because of me!" - Paul as the fieryangel
[edit] Paul's Batshit Crazy Denial That He is The Fieryangel
In all his faggotry, still sounding like a cunt and Fucktard, he tried one last attempt--that mostly worked--on the Wikipediot Review (Neo-Nazis aren't that smart). The jizz is this: Paul befriended Jimbo Wales on Facebook so that he would do him a favor, and blank the ArbCom about his spamming Muzak Fabrik 9001 times on Wikipedia. Then, according to the fieryangel, he told Jimbo a lie: he is the fieryangel (when he really is not). This was a trap Paul set for Jimbo, to see if, after doing him the favor of blanking the ArbCom, Jimbo would then tell other people that The Fieryangel, who went around to conservative blog "The Lonely Conservative" and fed the insane bitch there a bunch of bullshit, who vowed to "take Wikipedia apart", who continually ripped Wales a new asshole daily on the WR, whether Wales would betray Paul's trust (after doing him a favor) and spill the lie that The Fieryangel is Paul (when it's not). Make sense? No? Well, here's The Fieryangel's explanation of how he is not Paul and he exposed Jimbo (from the May 13th Wikipedia Review thread courtesy blanked by Neo-Nazi Hypocrite Faggot Somey):
Okay, Davie, it's Agatha Christie time...
You see, this was a trap. And you fell for it hook, line and sinker.
Only one person knew who the Fieryangel was, supposedly. But that was a plant. And the person who was given the information was none other than....
Jimbo Wales.
Let me start from the beginning: Paul runs Musik Fabrik music publishing, a publishing company who publishes almost all of the work by Germaine Tailleferre published after her death (ie most of the important works). Paul is a fine saxophonist and has performed extensively in festivals devoted to music by women, especially those organized by the Donne in Musica foundation. I met him in Fiuggi in 1998, where he did ten premières in three days of new music by women written for him. He's a real inspiration for those of us who believe that women's music is important because he puts his money where his mouth is: he plays the music and he publishes it. He's a very close friend, as is his partner, Jean-Faggy Buttshow.
When I heard about the business concerning the List of Important Opera composers on Wikipedia I was horrified. Especially because it was quite clear that neither Jean-Faggy nor Paul was fighting this fight because of any interest they had in this business: Paul's reconstruction of Tailleferre's most important opera is still not finished (although I'm told it's getting close), but the opera that he's reconstructing was a failure during it's initial production in 1951. It was an unjust failure, but it was a huge, huge scandale. There is no way that this work could be considered for such a list.
But here were two MEN who were fighting for the rights of women to be included in the history of Opera...and because they were MEN, they were dragged through the mud. I got really mad. And I'm still mad. And I'm not alone. You guys blew it big time with this situation and you've paid for it many times over. You will never, ever, get EU cultural funding for a Wikipedia project because of this.
The Tailleferre situation is extremely complex and Paul is very close to the heir. There was a period in which other parties outside of the Estate were trying to exert control over the Tailleferre work. Paul was essential in stopping that, but he didn't make any friends doing so. At some point, there will be a very big court case involving Tailleferre's manuscripts and the artistic control over her works. At one point, it seemed that this would happen earlier this Spring.
Paul really wanted this Boisseau arbcom material off of Wikipedia for many reasons, but mainly because it cited the name of his company and the name of his partner in the title of the Arb-com case itself. He asked me how he should do this. I suggested that he approach Jimbo Wales on Facebook and that he broach the question there, knowing that Wales was most approachable in that venue. He made a friend request, asking for peace, which was accepted by Jimbo and then he made his pitch for the courtesy blanking of the Arb-com case.
At my request, as a test, he said that he was me. This was to see if the information would be leaked.
It obviously has.
What does this tell us about Jimbo? And what does this say about someone who leaks private emails to third parties without permission?
Sorry, Davie, but you're out.
Paul "Call Me Miss Fieryangel": You fail it (It = coming up with a story that any of the 13 year old boys you try to pied-piper with your sexophone would see right through).
[edit] Accounts Used by the Muzak Fagits to Spam Their Shit
- 87.231.242.188 English Wikipedia
- Musikfabrik French Wikipedia
- Musikfabrik English Wikipedia
- 87.231.242.188 French Wikipedia
- Hellokittybangbang French Wikipedia
- Arequipa French Wikipedia
- 87.231.242.188 Italian Wikipedia
 Musik Fabrik is part of a series on articles which are the subject of retarded edit wars | Beware all ye who tread here
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